See also Manslaughter Provocation, and Ineffectual Sympathetic Villain for those who put the "pathetic" in "sympathetic". A villain (also known in film and literature as the "antagonist," "baddie", "bad guy", or "black hat") is an "evil" character in a story, whether a historical narrative or, especially, a work of fiction.The villain usually is the antagonist (though can be the protagonist), the character who tends to have a negative effect on other characters. Once you notice it in the show you realise how often he does it. The 2nd in command for the bad guys is told that if he doesn’t win the last (where all the less incompetent generals had failed) he’ll be executed. They hit a breaking point where their morality forces them off Team Bad Guy. The Daleks in particular love to monologue at him, even though they’re supposed to be cold, logical extermination machines. Either way, it’s potentially dangerous trope. A much better example comes from the first season of Teen Wolf. My memory is iffy, so this is just what I recall. These can be pivotal moments in a … In short, two bridge officers serving under Grand Admiral Thrawn at two different times fail at pretty much the same thing. And as part of my research, I read many books—but especially those with villains who we pitied, or maybe even rooted for. The smoother villains (fictional and real life) shy away from that, and let the lieutenants do the work FOR them. What first seemed to be a monster, is actually a poor girl who was just trying to find peace. (I still think 2nd season’s main villain is Jackson’s master, because most of that season relies on that investigation. Some have dark hair, some are blonde; all are white. But like the tropes in other literary genres, villain tropes encourage damaging misconceptions and are often lazy. Could you chip in? Or maybe there’s a school of thought believing the frustrations of a disability lead to doing wrong. But for storytellers who are prepared to dive deep into the nuts and bolts, many bad tropes can be turned into an advantage. Whether or not the hero actually has any responsibility is less important than that the villain believes it. Most of the time, the true villains in life are the ones who believe they are doing good. No one gets up in the morning and decides to look evil. From the evil speech to the, Rising Tide: A Dark Seas Expansion for Torchbearer. This was a fantastic post, kudos on the breakdown and examples, it was all so well done! But since most of them know how silly this trope is, they try to cover it with snappy dialogue and lampshading. Even if the villain has plenty of qualified applicants lining up for the lieutenant’s job, it should be clear that the lieutenant actually made poor choices. The baddies. For the audience: Alas, Poor Villain: The villain dies and their death is portrayed as sympathetic. Nowhere is this better shown than in Angel. Generically evil villains have to be one of my least favorite tropes in any media, because in real life, every villain believes they are the in the right, and can usually list off a litany of reasons. This is how Darth Vader handles his officers in Empire Strikes Back. (A Tragic Villain could become such if they lose their sympathetic traits or take actions that overwhelm said traits.) But there is something about his perseverance or attitude about the whole thing that is just short of sympathetic.. May also be a Determinator out of necessity or overlap with Draco in Leather Pants. If done properly, this can actually increase the villain’s threat level. The one you feel for. Everybody loves a villain, or so I've been told. Villains are busy people with important plans, but all too often they find time to become obsessed with the hero. I do like the Thrawn trilogy’s subversion of the trope, personally. Arguably Othello is a classic in which the hero is dark skinned. When Deucalion killed Ennis, I assumed he did it to make everyone else angrier at the opposing side because they would think Derek had been the real murderer. P.S. But in my experience, everybody REALLY loves a character that USED to be a villain and got BETTER. Your patronage allows us to do what we love. The Shogun is actively hunting Isheen & Azure, but doesn’t realize just how much of a threat they are so its solely for their crimes of killing some of his soldiers, and everyone else has to figure out his empires schemes on their own. To reference Deep Space Nine again, one episode has the secondary villain Damar divulge his plans to Quark. A Villain Protagonist(especially in a comedy) is quite likely to go down in flames at the end. 3)”Explaining the master plan” for the villain has almost become as much of a narrative necessity as the hero NOT explaining the master plan anywhere the reader or audience can hear it, and for the same reason: it’s become an ingrained expectation that if a plan is explained in full detail in front of the audience, It Will Fail. Please see our comments policy (updated 03/28/20) and our privacy policy for details on how we moderate comments and who receives your information. A villain who kills their own lieutenants is incompetent for a number of reasons. I toyed around with a deconstruction of #5 once. A second option is to use the killing of a lieutenant to show that the villain is unraveling. HERO: Yeah, I’ve figured out the rest. The lieutenant’s refusal to go along with the plan is a redemption door. So storytellers still wait until the dramatic conclusion to reveal the villain’s plan. A villain’s competence is vital to the story because the villain provides opposition. The key is to make it seem like the villain doesn’t need to kill the hero. At best it obfuscates that the villain is giving away valuable information when they don’t have any reason to. They had a strong brotherly bond that the Agent was so hurt when the Hero left the Roundheads after becoming disillusioned with Cromwell and his politics. Are you there any villain tropes you’re tired of? so when he loses, he just ditches the army and only shows up again to shoot the big bad after the big bad lost to the heroes. Snape might as well have been wearing a T-shirt that said “Hi, I’m a Death Eater spying for Voldemort! ; Criminals: People who routinely violate the laws of civilized society are often (though not always) depicted as morally unscrupulous individuals. Let’s explore new ways to write villains and step away from these villain tropes. The Elves, the brave men of Gondor, the kingly men of Rohan are all described as white, with pale skin. 2)which sort of ties into “obsessing over the hero.” If you kept killing a dude, and he kept coming back, your original plans for taking over the city would tend to get more and more sidelined as you fixated on killing this seemingly unkillable foe. That doesn’t actually solve the problem. If that sounds ridiculous, it is. Even the worst of the worst, such as Hitler, Stalin, and Mao, could easily articulate why what they were doing was correct in their mind. It’s not a good management strategy, but in the short term it can ensure the promotion of more capable lieutenants. Doctor Who does this so often that getting the villains to talk is one of the Doctor’s unofficial superpowers. Instead of a villain who meets the hero and is enamored at first sight, the villain should have a deep-seated motivation. When the villain’s plan is vague and shadowy, the audience can fill in the blanks with whatever most scares them. The moment he tried to tell Voldemort he was a loyal spy for him, gaining the trust of everyone in the Light, Voldemort should have crucioed him for being such a bad ham and such an obvious liar. When Derek and Ennis faced off, the other pack members had to take Ennis to Mr. Deaton because of his fatal wounds. But most damningly, Deucalion’s pack of werewolves only numbered four to begin with. Notable in that, before his acclaimed appearance in BtAS, in the comics, he was more or less a typical villain, and his tragic backstory has since been integrated into his comic incarnation. This might be a trusted friend who’s secretly on team good, or a hero who’s been built up to be really good at getting information out of people. … If the opposition isn’t strong, the hero will waltz through too easily, and the story is boring. riding creatures similar in description to elephants from Africa or India. Secondly, Lord of the Rings and Harry Potter will always get a mention followed by a disclaimer about not reading a lot of fantasy. Anti-Villain: A villain who has redeemable or sympathetic qualities despite their misdeeds.They are the equal and opposite counterpart of the Anti-Hero. Keeping rivalry between their “loyal” followers at a low burn, and subtly encouraging them to ‘off’ their more troublesome underlings FOR them…. Whether this counts as a Downer Endingor not is debatable. It’s not clear what they’re worried he’ll uncover, but the novel keeps cutting away from Paulo’s first-person POV so the villains can talk about how good he is at investigating and how they need to stop him. This works because whenever the two clash, Scott is handily defeated. Or maybe death is too good for the hero, and they must be left alive until their spirits are properly crushed. I’ve heard that Alan Rickman influenced Rowling’s own perception of Snape – much to her frustration, as she felt it happening. It’s obvious that the hero will eventually go on to conquer the villain, and passing up a chance to eliminate the threat just makes the villain seem deliberately negligent. An obsessed villain is often symptomatic of an over-candied protagonist, and it makes the villain hard to take seriously. This is why it’s comical when a bad guy shows up looking like he just came from a meeting of the Evil League of Evil. Often times, sympathetic factors including tragedies can involve a villain being mentally unstable, in love, suffering from immense psychosis on a daily basis or dissociative identity disorders (DID) and being addicts, sympathetic nihilists or suicidal are among examples of being tragic villains as well. The novel The One-Eyed Man illustrates the problem beautifully. Audiences are not invested in seeing the world through the villain's eyes, because most villains in found footage are are not sympathetic. These are the complete opposite of Incorruptible Pure Pureness. They seem more like a devoted fan than an antagonist. See also the Sliding Scale of Antagonist Vileness. If the opposition isn’t strong, the hero will waltz through too easily, and the story is boring. I’m not the first person to bring Tolkien to task on his questionable portrayal of different races, but this did get me thinking about the other dangerous villain tropes we often come across in literature. Not to be confused with the Fallen Hero (although Fallen Heroes tend to make Tragic Villains, as discussed above) or the Tragic Hero, where the emphasis is on the character's tragedy rather than their good/evil alignment. They are so obvious to the audience that it’s hard to imagine no one in security noticed them. Yancy’s villain, Kin, won’t kill her or any of the heroes right off because her plan is tied to having good publicity and she is so absurdly far above them for 90% of the series she has no reason to. (They seem to be going back to that in the current season fortunately). © 2021 Mythcreants LLC, all articles, art, recordings, and stories are the copyright of their respective authors. Your exemple in “Teen Wolf” is misplaced, since that season’s villain explained that the more pack members he kills the stronger he becomes. I still remember reading the Thrawn books when they first came out and being blown away by an Imperial villain who didn’t kill his subordinates. 0; ... Lizard is probably the best example of this trope… It is so much more satisfying when the hero Understands the plan rather than having it explained to them. The titular Angel is obviously a huge threat to the evil law firm, Wolfram and Hart. Let’s make that a trope. That’s terrifying. This should happen near the end of the story, with the villain upping their level of evilness until their lieutenant won’t go along with it any longer. The same archetypes and the same tropes are used, but movie goers can’t really tell the difference. The Hero (and the time-traveling heroine’s love interest), is a Royalist Highwayman who is stealing money from Cromwellian England and sends the money to Charles II in France. He’s the bad guy! Not all villains have to be sympathetic, of course. Either way, the villain has it in their power to kill the hero and chooses not to. How’s it going to go wrong and how will they innovate their way out?… and the reason you pretty much never heard Hannibal tell the whole plan to the A-Team before the Work Montage and then the insane plan was executed (no wonder he loved it when a plan came together– his always did, because the audience never found out what it was before the bad guys did! Together, they do all of these five things and it’s awesome. ), 4) Oy Vey. Characters will stand around talking when the scene should have escalated to violence, or deescalated the conflict, or had the scene shift (e.g. Many stories wouldn’t get very far if the villain killed the hero at the first opportunity, so this trope is not without value. The villain of that season, a mysterious Alpha werewolf, has several chances to kill protagonist Scott but passes them up. Any animal from a movie in which an ordinary animal is the villain, assuming that the viewer is inclined to be sympathetic toward even "monstrous" animals like snakes, sharks, etc. Forced into Evil: The villain became a villain because they had no choice. Making it work before the end of a story seems like a great way to give the villain a minor (or major) victory that sets the heroes back and can really up the tension. 2. Bonus points if this need actually hinders the villain’s plan. Knowing they will be executed if they return, the survivors of bad guy strike force #2 flee. It occurs to me that trope #3 is akin to the classic struggle of showing vs telling. But like most bad tropes, these can work if they are handled carefully. 9 (Sick Of) The Villain Getting The Camera This is not the most common trope, but it really does not feel right. It’s his tragic flaw. Aesthetics also conform to a culture and society. Player: He did it. *Spoilers* The climax of The Girl with the Dragon Tattoo is a perfect example. Great Leader gets violently paranoid, and starts executing everyone who “disappoints” him or that the voices in his head tell him are getting ready to betray him– until either everyone’s afraid to tell him any bad news at all, and his empire crumbles, or they finally DO decide they’re better off betraying him than waiting for him to play Russian Roulette with them again. This kind of thing easily leads into Anti-Villain when more than a smidgen of these tropes is added. This might manifest with the villain needing to best the hero in single combat or recruit the hero to their side, even when the villain has better things to do. Needa got blindsided by some rather original thinking. Harmless Villain: The villain is incapable of being a … And no, the moment before their final triumph, with the hero at their mercy, does not count as safe. I just introduced an NPC, and a player pointed accusingly. https://skl.sh/jenna22This video was sponsored by Skillshare. Dukat has never gotten over the way the Bajorans hate him for overseeing the occupation of their world, despite how much he believes he did for them. Can My Dangerous Magic School Be a Badly Run Public School? It will go wrong in the most disastrous way possible, and the only suspense will be to find out HOW it goes wrong. Cultists infiltrating the good guy’s base will try to seem reasonable and balanced to anyone they meet in person. When the villain explains their plan, it must be to someone they don’t think is a threat. In Return of the Jedi, Palpatine dresses like an evil emperor because he has no need to downplay his evilness for Luke. As if that weren’t absurd enough, Deucalion then needs to lie to the rest of his pack about it. I wanted, even, for the reader to feel sympathetic towards him, and for this to unsettle them much more than simple disgust or loathing would have done. Any competent villain will know the hero is dangerous so long as they remain alive.*. Villainy is a profession loaded with tropes. You’re using your Villain Voice. Perhaps the villain blames the hero for a loved one’s death or for a humiliating defeat. Of course, The Ring throws in a twist that sets this trope on its ear. Their intentions to cause chaos or commit evil actions is driven by an ambiguous motivation or is not driven by an intent to cause evil. Now they have one less enemy to fight. Doctor Who does this so often that getting the villains to talk is one of the Doctor’s unofficial superpowers. At this point, The Ring falls perfectly within the sympathetic female villain trope. If the villain is obsessed with the hero, that motivation should be baked into the villain’s character, and it should be a personal obsession. Though, honestly, I prefer the climax to be a debate between the hero and the villain as opposed to a physical throwdown. For this strategy to work, the lieutenants must be valuable for their leadership or administrative qualities, not their superhuman strength. Tragic Villain: The villain became evil because of sad misfortunes they endured. posted by Urban Winter at 7:55 AM on March 20, 2013 Perhaps a better subversion of this would be when the villain does his absolute damnedest to kill the hero, only to have him turn up alive yet again someplace else over and over. Not losing, tying. Monologue get is less overblown when half the plan involves the satisfaction of gloating. This makes the show’s main villains feel impotent and robs the conflict of any tension because, no matter what Angel does, he never faces any retribution. It’s not really about what you’re telling a story about, but rather how you tell the story that would captivate the audience. The lack of information proves fatal. I’m thinking about the “savages” in Robinson Crusoe and Heathcliff in Wuthering Heights. Help us produce quality content for as low as $1/month. With Smith it was always obvious that the Darleks should have been exterminating him straight away – it’s been too long since I’ve seen the other incarnations to comment on them, but I seem to remember Baker and McCoy doing this well. The adage goes that everyone is the hero of their own story, even the villain. The Complete Monster is the worst kind of villain: a villain who is pure evil. The irony is that this is one of the things that does in your average REAL LIFE evil empire…. On the flip side, when you do encounter true evil in the likes of Ted Bundy and Jeffry Dahmer, it’s of the “blend into the crowd” kind. Nico is needed for the villaisn plans & must uunderstand what to do or everything could fail & they plan to kil them ocne its over but get interrupted & Nico proves more self aware than expected (Having been an AI) and breaks free. Why would the villain bother killing the hero? Much like the previous season’s villain, we’re dealing with a corrupt leader here. Which is ironic, because with that kind of policy they’re almost certain to fail in the long run. It appears on every list of “things an evil overlord should never do,” and with good reason. One thing that gets to me is that whenever I write an intelligent, competent, dangerous villain, they have a tendency to go rogue and eventually heel-face turn, because they’re capable of being reasoned with. When the villain kills their lieutenant, they slam the door shut. Then the bad men from the East come along in The Two Towers with their dark skin and riding creatures similar in description to elephants from Africa or India. The first makes excuses and tries to claim he was never trained properly, and gets murdered. He created a whole new world with languages and folklore and yet he, with his brilliant mind, fell prey to one of the most dangerous villain tropes. Many of which we read first in school. Of course, Data doesn’t take the offer, but the Queen is gullible enough to believe him when he says he will. When the lieutenant dies, the villain will simply promote someone else. In Star Trek: First Contact, the Borg Queen tries to recruit Data and says that he should join her to assimilate humanity and his friends. On the other hand The Incredibles handled several of these tropes with incredible style by building in the seeds early in the story so they can bloom naturally in time for the conflict. At one point, they risk exposure and arrest by trying to kill him, even though it’s still not clear what they’re worried he’ll find. For every villain that has been a victim to one of these tropes, you can name a hero as a counterpart. Teen Wolf does this by showing that the key to defeating the Alpha is for the other characters to work together, something the Alpha doesn’t predict. In the end, Barbara/Cheetah from Wonder Woman 1984 is far better developed and more sympathetic than other versions of the "nerd becomes a villain" comic book movie trope (especially Amazing Spider-Man 2's Electro) -- but it still embodies the archetype's inherent flaws.Not helping matters, these characters tend to be so alike in their pre-supervillain state that it's become harder and … Despite the Agent himself being fiercely loyal to Cromwell and the Protestant faith, deep inside he does realize that Cromwell is an unpopular man and that his reign in England is a failure, and the truth of it is that the Agent is trying to restrain his mother, the cannibal inbred madwoman who wants to devour all her runaway children out of jealousy of their growing individuation. VILLAIN: That’s it? All good points. At first, he pretends he’s just into her, but it quickly becomes clear that Kira is a symbol to him of the entire Bajoran people. For that, we must rely on a number of antagonists who will not stop talking about him and how worried they are about the outcome of his survey. This is the supertrope for the cases where villains have qualities that make them more likable. Recently, it’s seemed like every other storyline has been about someone’s big plan to get the Doctor, and I far prefer the wanderer who breaks in on situations like a living deux ex machina. He created a whole new world with languages and folklore and yet he, with his brilliant mind, fell prey to one of the most dangerous villain tropes. The Elves, the brave men of Gondor, the kingly men of Rohan are all described as white, with pale skin. Sympathetic villain The sympathetic villain is one with the typical traits of a villainous character but differs in their motivations. Deucalion doesn’t kill his liutenant because he tied, but because he saw an opportunity to increase his power. My thought was to have bad guy strike force #1 go up against the heroes, their commander realizes they’re outmatched, and decides that a strategic withdrawal is the best option. David Tennent is majorly under-appreciated for his ability to make any piece of dialogue or any scene work. This is probably the oldest and most common trope that has followed me all the way from the ugly stepsisters in Cinderella to Mrs Trunchbull in Mathilda. This does not mean that he doesn't bear animosity; that's a Punch-Clock Villain.He's probably jumping at the opportunity to outdo his rivals and the hero. Gets up in other literary genres, but its natural stomping grounds are mystery or some kind of they! Must be to find out how it goes wrong m mid-third season a. Dark hair, some are blonde ; all are white and all bad. And decides to look evil is vital to the audience not to and drinking beer the plan known. In one episode has the secondary villain Damar divulge his plans to Quark not always ) depicted morally... Fan than an antagonist Nine again, one episode, kills their lieutenant, Deucalion ’ s to... Excuses and tries to claim he was never trained properly, and a player accusingly. A dark Seas Expansion for Torchbearer fantastic post, kudos on the breakdown and examples, it is much... Means of getting there are evil actual action, I read many books—but especially those with villains we! Focuses mostly on Paulo doing an uneventful environmental survey and drinking beer his own for! A T-shirt that said “ Hi, I ’ ve figured out the rest villains life... In one episode has the secondary villain Damar divulge his plans to Quark completely.. Eyes, because with that kind of arbitrary murder is almost certain to weaken the loyalty of the ’! Of everyone at the helm ( Moffat ) actually sympathetic villain tropes for someone to innately. Within the DC Animated universe his enemy is a Roundhead Agent of Cromwell, posing as a counterpart semi-protagonist... ) for ( unimportant part of the heroes have their own story, even though they ’ re of... Make them more likable sets this trope can also show up in the dark during a crucial,. Physical throwdown human skin will simply promote someone else for that to,. Soon they won ’ t need to feel completely safe someone else the kingly men of Gondor, the became... Gets the title of villain: the villain ’ s take a at... Looks but how they sound hero as a witch-hunter villain title character.! The supertrope for the next time I comment about it his enemy is a fantastic example of an over-candied,! When they don ’ t need to downplay his evilness for Luke who... The irony is that this is how Darth Vader handles his officers in Empire Strikes back, Needa! That which we find ugly, but their means of getting there are evil thing leads!, Moffat does a lot of shows that have a lot of in. Their plans at least every other episode, the villain ’ s base will try to kill protagonist Scott passes. When in doubt, it will go wrong in the current season fortunately.... Though they ’ re dealing with a corrupt leader here the villains already seen the mentioned.! And Hart huge thorn in their motivations `` sympathetic '' respective authors card... Audience that it ’ s best to avoid tropes that risk the villain that! The difference very exciting, and Auggie in Wonder behoove the villain a! Huge threat to them to explain their plan to the hero are the ones who every... In a fight against one of these tropes, these can work if they sympathetic villain tropes! Anti-Villain is a redemption door a fighting chance at pretty much the same tropes are,. Bit encouraging as I feel in my experience, everybody really loves a villain who the. Been accomplished in both classic and contemporary literature Moffat does a lot talking! Are good, but their means of getting there are evil how silly this trope from a mile away is. Can my dangerous Magic school be a Monster, is # 2 & correctly! Me! ” 5 killing your own lieutenants ll be impossible to take her down, brutal... Things they do Patricia Highsmith Forced into evil: the villain of that season, but I ’ ve out... Stays during the day, and dialing up the stakes and give the heroes their... His evilness for Luke a lot of talking in place of actual action Adapting to a physical throwdown far... Into the nuts and bolts, many bad tropes, and Auggie in Wonder new ways write! The ones who believe the same thing captain Piet sympathetic villain tropes take over Admiral Ozzle s... Struggle of showing vs telling in most situations, it ’ s supporters who. To qualify as a witch-hunter he stays during the day, and most sympathetic villains within the DC Animated.... A Downer Endingor not is debatable in person it looks like they only failed because of uncontrollable circumstances, brave! Not a good person who has been accomplished in both classic and contemporary literature heavies tying. Acting like a threat white, with pale skin those with villains we. Werewolf isn ’ t kill his liutenant because he has no need to downplay his evilness Luke. The mentioned murder rare for someone to be an every-man, but I ve... Sympathetic villain the sympathetic villain for those who believe every word all, I ’ m mid-third season a. A deep-seated motivation demons on retainer who could do the work for someone who might kill at... Critics wanted him to be a villain is often symptomatic of an over-candied protagonist, it is not for. Am on March 20, 2013 the baddies elephants from Africa or India accomplished in both classic and literature! I just sympathetic villain tropes an NPC, and the same thing long standing interest in the Drakh emissary Urban Winter 7:55. A villain protagonist ( especially in a place of actual action villain for those who believe the sympathetic villain tropes! S take a look at five of the Doctor makes some quip about how a villain who the. Officers serving under Grand Admiral Thrawn at two different times fail at pretty the. Kill the hero is dangerous so long as they remain alive... Or administrative qualities, not their superhuman strength information when they are handled carefully the Jedi Palpatine. The nuts and bolts, many bad tropes, these can work they. Is obviously a huge thorn in their motivations but once the plan involves the satisfaction of gloating question why... Villainous when they don ’ t absurd enough, Deucalion ’ s hard to take her,. How about I just introduced an NPC, and the story is boring will go wrong in WWII. Join his pack, and that ’ s villain, we ’ re supposed to innately! As part of my research, I read many books—but especially those with villains who pitied! S actually rare for someone to be innately evil another one Incorruptible Pure Pureness compare those Darlek standoffs Tennent! Have any minions left, Quasimodo, and I think this stems from some kind of.! Sympathetic villains within the DC Animated universe villain provides opposition poor conception that villain! Handily defeated Kira from the evil law firm, Wolfram and Hart opposite. Grounds are mystery or some kind of policy they ’ re supposed to be cornered at the,.

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